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ah, wait those are the disks resulting from the RAID!? Maybe I need to clone those. A RAID 1 configuration copies data from one drive to another, mirroring and duplicating data to provide improved fault tolerance and data protection. some more disks but I don't know what they're for. This bottleneck arises from computation power, since Linux RAID mdadm can only utilize. two more disks (120 Gb) /dev/hdc and /dev/hdd, mirrored using a SoftRAID You can create 3 or 4 disk mirrors if you want to get fancy. Here's the configuration of the old server: So is there any other way to do this properly? RAID 1 is known as mirrors because each disk in your RAID 1 system contains a volume with identical data ie. If your work, or business, depends on the files stored on your Mac, you should be using a mirror volume. mirror) volumes are ideal for storing all your critically important files. The lack of easy expandability of this sort at the low end is the primary reason I dont really use it at home. RAID10) where you can add a pair of drives at a time. ![]() I tried (and managed) to clone the boot disk and one of the RAID disks to a new virtual machine using dd, I can log on to it but there's of course all kinds of messed up stuff. SoftRAID Mirror Volume (RAID 1) RAID 1 (aka. The only 'clean' way to do expansions is to use mirror vdevs only (i.e. ![]() ![]() Unfortunately VMWare Standalone Converter is unable to convert it because the server has a SoftRAID on two of the three disks. I've got an old-ish Linux server here that I want to virtualize. ![]() Create custom MP3s and then ‘podcast’ them in your pod cast software.Create your own ring tones, assuming your cell phone supports MP3s.Export mix as a single wav file or multiple wav files for burning a DJ style mix CD.Export mix as a RealAudio G2, MP3 or a WMA file with a click for streaming on the Internet.PLS) to create instant mixes of your favorite mp3s! 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First of all, programs developed for MP3 conversion or recording can be seen everywhere, nothing special. ![]() “She’s My Best Friend” was recorded, a song Reed would himself rerecord for hisĢ0th the band recorded another live staple that would be revisited for Lou Reed’sġ972 solo album Lou Reed, “I Can’t Stand It”. With You” which would be tried again but ultimately scrapped for the Loaded ![]() Transformer album “Andy’s Chest”, as well as the charming Mo Tucker-sung “I’m Sticking The band returned to the studio on May 13thĪnd tracked a song Lou Reed himself would re-record for his seminal 1972 Most-well known originals of this batch, “Foggy Notion”. With The Velvet Underground tracking the jaunty “Coney Island Steeplechase”, as wellĪs a rocker heavily featured on their current tour and effectively becoming the We just have art within art within art to tell a story about great art.Recording sessions, based at the Record Plant in New York, began on May 6th "There is no traditional coverage of the band playing live. “The only film on them is by one of the greatest artists of the 20th century. In split screen, the band members’ screen tests for the Factory (usually seen as still photographs) play at length, with Reed or Cale staring provocatively out at you. Reed gave Haynes his permission to use “Satellite of Love” in “Velvet Goldmine.” Laurie Anderson, Reed’s widow and a filmmaker, endorsed Haynes directing the film, and other estates, like Andy Warhol’s, were supportive.įootage by Warhol, the only one to previously really document the Velvets, is laced throughout the film. But he saw him a few times at events like the Whitney Biennial (“I was too scared,” he says). You’re in a different language, putting it in a different context and the frame is visible." So you’re not comparing it with the real thing, apples to apples. ![]() “I always felt like if I’m going to recreate this in a fiction form, I better do something different with it. “When I was doing research on the Bowie of ‘Velvet Goldmine’ or all the Dylans of ‘I’m Not Here,’ you come across the real thing,” says Haynes. ![]() In “I’m Not There,” rather than attempt the impossible task of finding a single actor who could play Bob Dylan, he cast seven. His “Velvet Goldmine” was a glam-rock fantasia of David Bowie. Previously, he’s made knowingly artificial fictions of great musicians. “The Velvet Underground” is Haynes’ first documentary. “You really felt that coexistence and the creative inspiration that was being swapped from medium to medium,” says Haynes, who notes such localized hotbeds now seem a victim of a digital world. “There were a lot of things I was going to be like: ‘OK, we know this.’ Let’s get right to how this happened, this music, where these people came from and how this miracle of this group of people came together.” “I didn’t need to make a movie to tell you how great the band is,” Haynes said in an interview earlier this year ahead of the film's Cannes Film Festival premiere. You sense that even Lou Reed would be pleased by how the film refuses the obvious. “The Velvet Underground,” which debuts Friday in theaters and on Apple TV+, is, like the Velvets, boldly artful, boundless and stimulating. Haynes, the reliably unconventional filmmaker of “Carol,” “I’m Not There” and “Far From Heaven,” rejects a traditional treatment of the Velvets - fittingly, considering his uncompromising, pioneering subject. You won’t even really hear a fairly full Velvet Underground track until nearly an hour into the two-hour film. You won’t hear that line in Todd Haynes’ documentary “The Velvet Underground,” nor will you see a montage of famous faces talking about their vast influence. The most often-repeated thing said about the Velvet Underground is Brian Eno’s quip that the band didn’t sell many records, but everyone who bought one started a band. ![]() Latido Films manages international sales. Tobacco Barns is a production of the Spanish companies La Claqueta PC, Un Capricho de Producciones, La Cruda Realidad and Secaderos La Película AIE and the American company Amplitud. Through images and their symbolic power, it raises questions about the meaning of being and living in a place, about the search for freedom and the possibilities of that freedom, about how we come to become who we are and also the price we pay for it. In doing so, the film manages to speak truthfully about the meaning of identity. The tone of the story is lost when the supernatural element is not well integrated into the story, as a natural part of it, but simply as a forced oddity.ĭespite this weakness, Tobacco Barns manages to be a lucid exercise in recreating sentimental memory, with moments that achieve a certain magic. However, the same fate befalls the director as some of her colleagues: she loses the intention of being "original". As a starting point, the intention to narrate the rural from another place (in this case, from blending with the fantastic) is a bold move. Through this and the credibility of the characters and their performances, the director manages to reflect with sincerity and beauty the conflicting feelings of these two stages of life.Īlthough Mesa's proposal is not overly original, devising a fictional universe through the idiosyncrasy of a place, through the crossover between the supernatural and the real, the extraordinary and the ordinary, is already a trademark of this generation of "ruralised" filmmakers, interesting ideas are nonetheless raised. Utilizamos cookies y herramientas similares que son necesarias para permitirte comprar, mejorar tus experiencias de compra y proporcionar nuestros servicios, según se detalla en nuestro Aviso de cookies. One of its great virtues comes from the decision to narrate the story from the point of view of both protagonists: from the innocence and fantasies of the child and the bewilderment and uncertainty of the teen. The film speaks freely about the stages of life and the disappearance of a world, but also many other things. The filmmaker delves into her memories to narrate a story where genres are blended, becoming a sort of fable with no closed statements. ![]() Set in the old tobacco drying barns in Granada, the film tells the parallel stories of a city girl who goes to spend the summer in her grandparents' village and a local teenager who feels trapped there. CHAI's 2017 EP ほめごろシリーズ was the first thing I heard from them, and it's pretty much my platonic ideal release from them: five songs, perfectly balanced and sequenced. The songs seem just as good, the musicianship is just as solid, but for some reason I don't get the same spark out of subsequent releases. I have this issue with a lot of bands I listen to where the very first album I hear from them really sticks with me, but then later releases fail to recapture the magic for no discernible reason. It's not quite as memorable to me as his later work, and probably not something I'd just choose to put on randomly, but it's a breezy and fun listen nonetheless. Byrd put out Fancy Free a few years before Ethiopian Knights, and it hews more closely to a straightforward jazz sound-though because I know very little about jazz, I am aware there is no such thing as "traditional jazz sound," but couldn't quite tell you where in the tradition this album lies (hard bop, apparently, but what does that mean?). The only album of his I checked out during that time was Ethiopian Knights, a three-track epic that leans into funk and groove while still retaining a loose, improvisational feel. Most of my exposure to Donald Byrd has been through random rare groove jazz compilations I was really into about a decade ago, probably around the time I'd gotten tired of the collegiate indie rock scenes I used to be really into. Everything's just a little too slick and anonymous for my ears to find purchase. The grunge-inflected alt-rock is full of tasty hooks and power choruses, but I find it hard to pick out specific songs I like from it. Cherry Glazerr sort of falls into the same category for me. I was really into the Joy Formidable and Blood Red Shoes for a while, but weirdly the epic guitar riffs and glossy production began to melt together rather than crystallize into memorable songs. But something about bands that have tried to revisit those sounds in recent years just hasn't clicked with me in the same way. Back in the 90s I listened to a ton of glossy alt-rock bands with female singers-everything from the Breeders to Garbage to that dog to Curve. ![]() This feels like it should be a slam dunk for me. ![]() He then gives the choice of returning an artifact to Egypt, or death. Upon the chaperones entering the exhibit, a pharaoh resembling Anubis appears, exclaiming that humans have disturbed his peace. A few seconds after they are found, the evil face appears on everyone's screen, followed by an unknown thing coming from the Egypt exhibit. This random player is found later, locked in a locker at a random part of the map. Anyone who gets hit right away is killed, while anyone else who touches it after it is thrown gets the "Deer In The Headlights" badge.Īfter this, a random player is selected to be mummified and go "missing". As they are traveling to the bus, the bus gets possessed by the monster and thrown toward the museum. After the power switch is turned on, the chaperones decide the trip has gone too crazy and it is time to leave, and instruct the players to head to the bus. The person who turns on the power is awarded the "Power On!" badge. The players are then instructed to find the power switch to turn it back on, being warned that the monster from before is still lurking the museum. Sometime in the middle of the night, the power goes out, waking all the players up. ![]() Eventually, the face disappears and players are teleported to the bedroom, where they sleep for the night. Those who are caught by the face are killed off. Players are sped up and the Field of View changes. As soon as the chaperones are aware of this, an evil face appears from the tablet, chasing players. However, upon entering, a tablet with similar appearance to the Tablet of Ahkmenrah from Night at the Museum begins making weird noises and smoking. After a while of exploring, the two chaperones, a teacher and tour guide, take the players to the new Egypt exhibit. As soon as the bus reaches the museum, the players are allowed to freely explore. The game starts out with players boarding a bus, heading to a museum for a field trip. The priority at AMOS is the safety of our visitors, and all standard rules and regulations are measures of ensuring your best interests.Spoilers present below. We appreciate your cooperation and understanding of our regulations. This applies to all children over the age of 2 years.
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With her, I was like, "I know this is a Japanese challenge. If I was an artist I would draw it but I'm not and that's why I go to them. The way I like to get tattoo work done is I like to go to the artist and say, "Here is the element or elements that I want in my tattoo," and then they make art. It was not nearly as dramatic as they made it sound. I would say, "Actually, I'm not comfortable saying that." One of the things they really wanted me to hype up, they wanted me to make my story was her wanting to change the tattoo. Let's shoot another one and in this one, would you be willing to say, 'I kick ass and blah blah blah,'" something totally off the wall. I'm a Bellator fighter" to the camera and then the producer would say, "Okay, okay, that was good. I would say something like, "I'm Brent Weedman. If you talk to the Bellator guys, they'll laugh and each will probably have a story that's like this because it's happened more than once. I was very interested in what this experience would be like because I'll be honest with you. How was that depicted? Was it similar to what went on when you were there?īrent Weedman: You know reality television. You had it set in stone and she wanted a bit more leeway. It was a lesson, a big part of my upbringing and a big part of what made me into the man I am today and I liked having it represented in tattoo artwork.īrian Hemminger ( ): They kind of represented you on the show as being a bit difficult in that you were very stubborn about what you wanted. ![]() So my father brought these back from Japan when he would travel and eventually I brought them home when I went. That's supposed to be a representative of his never give up, fall down seven times get back up eight, indomitable spirit. One of my legs says Hisshō which means "certain victory." There's a little weight in his feet so if you knock him over, he's supposed to sit right back up. They have different kanji on the belly that can say different inspiring things. The idea of the Daruma doll is it's a paper maché red doll that represents him. One of his teachings or a phrase that's associated with him is Nana Korobi Yaoki which means "If you fall down seven times, get up eight." It's Chinese and Japanese characters too and you'll see t-shirts that say it especially in the martial arts community. So whenever you see him depicted in paintings or drawings or in these dolls, he's perfectly round. One he was known for was apparently he had set in a cross-legged position in meditation for so long that he had lost use of his legs. He has a lot of myths and stories surrounding him. Supposedly he was the guy that brought Buddhism to Japan. Can you go a little more in depth into the significance of that? I know it's something about your father bringing them back from Japan and I want to hear the full story that they couldn't tell in your snippet of TV time.īrent Weedman: Of course. You gave a little bit of the story on your tattoo selection for the show, I believe it's called the Daruma Doll. That whole trip was awesome.īrian Hemminger ( ): Well let's hear about it. I said, "Yeah" so I was pretty excited about it. Would you be interested in doing that?"įour days in Manhattan, free tattoos from a world class tattoo artist. Ink Masters wants to do this show and the episode they're offering to have you be on is Japanese themed. He said, "Hey, we know you've got tattoos. It was really as straightforward as one of the producers for Bellator, one of the production guys gave me a call. Viacom owns Bellator now and all their shows. How did that get set up? Was it because you're a Bellator fighter and the promotion is moving to Spike TV next year?īrent Weedman: Yeah, the way it was made to sound to me is that it's Viacom doing some cross-promotion. The season six tournament runner up spoke with during a guest appearance on The Verbal Submissionabout his experience on the show, the story behind his tattoo and of course, his kooky cohort Lloyd Woodard who joined him on the episode in this exclusive interview.īrian Hemminger ( ): I watched the Ink Masters episode where you made your appearance. Weedman had a strong connection to Japan dating back to his father's frequent trips to the country when he was young and he wanted to put a piece of that experience into the new artwork the show would be creating for him. ![]() So of course, when Viacom came calling about a cross-promotional opportunity pairing Bellator fighters and an episode of Ink Masters on Spike TV, he gleefully accepted. ![]() His passion for astronomy and the universe, is a crazy fan of Carl Sagan and the cosmos. His introductory video for the season six lightweight tournament says it all as he takes you on a tour of the tattoo on his leg which is a representation of the solar system. Bellator fighter Brent Weedman is one of a kind. ![]() ↑ The World of Ice & Fire, The Bones and Beyond: The Plains of the Jogos Nhai.↑ A Clash of Kings, Chapter 49, Tyrion XI.↑ A Clash of Kings, Chapter 58, Davos III.↑ 6.0 6.1 A Game of Thrones, Chapter 1, Bran I.↑ A Storm of Swords, Chapter 56, Bran IV. ![]() ↑ 4.0 4.1 4.2 A Storm of Swords, Chapter 29, Arya V.↑ A Clash of Kings, Chapter 16, Bran II.↑ A Clash of Kings, Chapter 7, Catelyn I.Ser Rodrik Cassel's red dog whelps a small litter with two living puppies. Ser Duncan the Tall buried his old stot, Chestnut, deep in the sand of Dorne to avoid it being found and eaten by sand dogs. ĭuring the winter of 134 AC northmen in the winter town ate dogs and horses to avoid starvation. Prior to the Maiden's Day Ball, rumors spread of Rosamund Darry having six nipples because her mother had supposedly lain with a dog. The dragon Sheepstealer occasionally ate sheep dog. Īfter the death of Queen Tyanna of the Tower, rumors spread of King Maegor feeding her hearts to his dogs. Harren the Red fed the genitals of Lord Gargon Qoherys to a dog before killing him. The feelings of Targaryen princelings towards dogs varied from fear ( Aerea at first ) to love ( Rhaena, Viserra, and Saera ) to indifference ( Maegor). The inhabitants of Mardosh were forced to eat their dogs when their city was besieged by Dothraki khalasars. Viserys Targaryen refers to Lord Tywin Lannister and Lord Eddard Stark as the " Usurper's dogs". Other characters known to have a dog-related nickname include Ser Joffrey Doggett the "Red Dog of the Hills", Harma Dogshead, Rorge the "Mad Dog of Saltpans", and Dogkiller. Due to their sigil, the Clegane brothers, Ser Gregor and Sandor, have received dog-based nicknames, such as " The Hound", "Dog", and "Joffrey's dog" for Sandor and "the great dog" for Gregor. The device in the coat of arms of House Clegane is three black dogs. Men of the Frozen Shore ride sleds pulled by hounds as big as ponies. No dogs or other animals survive long in Asshai. In the Jogos Nhai culture, the young men steal goats, dogs, and zorses from other bands. The Painted Dogs are one of the Vale mountain clans of the Mountains of the Moon. Kennelmasters are people appointed to be in charged of the training and care of a castle's hunting hounds.ĭog's Nose is a war galley in the royal fleet. A domesticated species, dogs can be kept as pets by humans. |
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